Knock Knock, Open Wide by Neil Sharpson

Knock Knock Open Wide

I'm not sure how to adequately review this novel. Sharpson writes with elegance and poignancy, but I felt I was missing a great deal of context. There are so many references to Irish folklore and culture that breathe life into the story, but I ultimately finished this read with a longing for more. And perhaps that's part of the point.

If you're a fan of horror steeped in folklore, this is sure to whet your appetite.

*Thank you to Tor Nightfire and Netgalley for the ARC.*

First Light by Liz Kerin

First Light

After reading Night's Edge last year, I wanted Mia's arc to reach a satisfying conclusion. She was left floundering after her mother's death, and I'll admit to feeling disappointed and let down by the second half of her story. While the duology ended on an okay note, there were many missed opportunities and pivots I didn't fully appreciate.

My biggest gripe was with Devon and how the author seemed to be hinting at a more nuanced relationship between him, Mia, and Izzy (Mia's mom). There were some almost heartfelt scenes between Devon and Mia, and I thoroughly enjoyed the mixed emotions Mia had after hearing his side of the story. She even unearthed the reality of his influence on ADAPT, the Sara (vampire) movement. But it all seemed gratuitous and a waste of time by the last forty pages.

I wanted to love this duology. I adore vampire stories, and the pandemic similarities were appreciated. The prose is also vibrant and compelling. It's a shame the character arcs and plot beats didn't do it for me.

*Thank you to Tor Nightfire and NetGalley for the ARC.*

City Song by Oliver Blakemore

City Song

Reg Thursday, a struggling musician, stumbles into a world full of magic. His journey is down to earth but also amazing in that you get the privilege of watching a hidden world in the Denver metropolitan area reveal itself through well-crafted world building. The characters are deep and distinctive, and you'll find yourself rooting for the multi-faceted main cast. Blakemore's descriptions are plentiful and beautiful, the prose as inviting as it is unique.

I recommend City Song to anyone who enjoys urban fantasy with great attention to detail and magic systems that lean heavily on music and rhythm.

The Name of the Wind by Patrick Rothfuss

the name of the wind

Truth be told, it took me a while to get sucked into Kvothe's story. But, at around page 150, I was all in!

Rothfuss is a phenomenal storyteller. His prose is delightful and easy to read, and his descriptions were lush without being flowery.

Kvothe is an intriguing character and, despite being gifted, he fucks up a lot. It helps that the story begins when he's in his early teens; his development and journey feels more honest and realistic because of his numerous faults.

The magical elements are also understated, which I appreciate. It was refreshing to see magic as a natural part of the world instead of the main focus. Though magical elements are there, and add quite a bit to the story, Kvothe's growth as a person is at the forefront of the tale.

Though a long read, I recommend The Name of the Wind to anyone looking for a great fantasy novel that focuses more on character than magic.

Finna by Nate Marshall

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After seeing Finna on what I'll call the "spotlight rack" at the library, I decided to borrow a copy. I had never heard of Nate Marshall and hadn't seen this poetry collection anywhere else. I went in completely blind.

I loved the usage of Black vernacular English. It felt raw and honest, something I feel most contemporary poetry lacks. If you're looking for a poetry collection that hits differently than most, I recommend finding a copy and settling in for a quick yet poignant read.

PS. For those who'd like to know, my favorite poem was "which art? what art?".

The Yellow Oak by Victor Vahl

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If you're looking for something weird and dreamy with a fair amount of body and psychological horror sprinkled in, The Yellow Oak might be the book for you.

Victor Vahl crafted an intriguing story about two men who get lost in a forest run by living, cannibalistic trees. Though the premise is decent, and much of the visuals are fantastic, I was hoping for more atmosphere. I would have appreciated a slower pace to build up the tension and flesh out the characters. My favorite thing about psychological horror, and what really makes House of Leaves phenomenal, is the slow build toward the climax. Not everything is thrown at you at once, meaning there's a ton of detail and hints at the full picture before the terror is revealed. In The Yellow Oak, things happen to Rye and Spencer too early. Due to the near-immediate dive into the horror, I didn't care about what happened to the characters. Backstory came too late; I already felt detached from the main cast when the story reached its peak.

From the editorial side of things (and how could I not touch on it given my background in copy editing), the diction was occasionally problematic. There were plenty of words that took me out of the narrative. It felt like the author had a thesaurus handy and ended up choosing words that were technically synonymous with the obvious word but that didn't fit within the text. This is where I'd have to side with Stephen King's advice; the first word you choose/write is likely the one you should use. Don't worry so much about how sophisticated your prose sounds. The point is to tell a great story and you hinder your reader's enjoyment if they have to weed through odd words and/or phrases. When in doubt, keep it simple.

Overall, the book was interesting and I had no idea where it was going the majority of the time. Though not everything worked for me, I'm sure it will appease much of the horror/thriller fan base.

Misfits by Michaela Coel

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I love Michaela Coel. After watching Chewing Gum and I May Destroy You, she became one of my favorite writers/directors. Her storytelling, particularly in I May Destroy You, was so brilliant that I had a difficult time not rewatching the limited series as soon as I was finished. Coel has a knack for character development that I admire and aspire toward.

When I heard about Misfits, I immediately placed it on my TBR. Though not as gripping as her TV dramas, I found Coel's message inspiring and thought-provoking. I'm sure her words will find the "misfits" and provide wisdom and light to those needing encouragement.

Mayflies by Andrew O'Hagan

Courtesy of Faber

Mayflies offers a nostalgic look at friendship and the memories we hold onto well into adulthood.

Though I enjoyed the setting of the first half of the novel and felt the dynamic between friends was realistic, I ultimately found I didn’t feel an emotional pull toward anyone — especially Tully. As the book centers around Tully specifically, this meant I didn’t care much about the latter half of the novel and was mostly waiting for compelling character arcs that never came. It seemed that, apart from what little was offered in the first half of the book, I knew nothing about Tully and found myself waiting for the book to reach its conclusion.

Overall, I thought the prose was fun and the setting interesting. I just didn’t care about the characters because they weren’t fleshed out enough.

Is 13 Reasons Why Worth Watching?

13 Reasons Why

When 13 Reasons Why aired on Netflix in 2017, it became instantly divisive. Whether you agree with the show’s approach to topics such as sexual assault, suicide, and school violence, it’s difficult to deny that the show’s very existence set the stage for parents to discuss the same issues with their kids. If nothing else, 13 Reasons Why can be used as a springboard for necessary conversations, both in the home and at school.

To save everyone the time it takes to watch the full four seasons, I have offered an exhaustive list of things that worked and the many things that didn’t. I admire the show’s creators for attempting to address serious situations and open a dialogue between teens and adults. However, there are so many things that didn’t land, or were irrevocably unrealistic, that cannot be ignored.

*Warning: Spoilers Ahead*


Things that Work

The show tackles an array of topics that directly affect teens each year. From bullying to sexual assault, the show covers it all, though not always with the finesse it so needs. Here are the positive takeaways that were worth watching, even if it makes you uncomfortable.

Hannah Baker’s suicide

The focus on her death is important because it captures the reasoning behind her actions, though I’d argue that some of the events leading up to her suicide were nowhere near as serious or detrimental as she made them out to be.

Jessica’s assault

Extremely uncomfortable to watch but vital to the plot of the entire series, Jessica’s rape added layers to all four characters in question: Jessica, who had trouble remembering the scene and pushed against the truth when Hannah described it on the tapes; Justin, who was drunk and ultimately unable to stop Bryce; Bryce, who felt it was his right to force himself on Jessica who was unconscious at the time; and Hannah, who watched the assault and did nothing to stop it from happening.

Justin’s drug addiction

His dependency correlates with his mother’s addiction as well as his guilt for not being able to stop Bryce from raping Jessica. His struggle with addiction and recovery is also an ongoing aspect of his journey.

The sexual harassment Hannah faces

The rumors and the inevitable comments and come-ons are realistic as well as devastating. The creators of the show really captured how it feels to be an attractive girl in high school.

Hannah’s rape scene

It was disturbing but real. It might have been one of the best-acted scenes in the series.

Hannah’s suicide

Although Netflix has since removed the original two-minute scene, and you can no longer find it anywhere else, I found her slow bleed-out in the tub compelling and chilling.

Alex’s attempted suicide

It was a bit on the nose but made for interesting character development in later seasons.

Tyler’s sexual assault

This scene stuck with me more than any other scene in the entire series. The fact that they portrayed him getting sodomized with a broom handle was harrowing, and it still turns my stomach thinking about it. I realize the show got even more flack for this second season addition, and I understand why some viewers felt it was over the line. Nevertheless, I am glad that they incorporated male sexual assault because it tends to go overlooked.

Bryce’s relationship with his mother

Initially, she is disgusted by her son’s actions and behavior. However, in season three, you come to realize they’ve both grown and become closer because of his guilt and willingness to change.

Bryce is found “not guilty”

I appreciated how 13 Reasons Why portrayed the case. Bryce was let off with a slap on the wrist while Jessica was labeled a slut and a liar for coming forward.

Chloe’s abortion

The scene was surprisingly informative without getting into the more grisly details.

Monty’s abusive father and dysfunctional home

Monty is a character you can’t help but hate. He is nasty, cruel, and bitter. However, adding bits of his home life to the plot offered the viewer a glimpse of what made him into such a monster.

Bryce’s humanization

It was daring to offer a serial rapist positive change and remorse in a show that centers around sexual assault and bullying.


Things that Don’t Work

The acting is subpar

For such a gritty teen drama, I was surprised by how many times I cringed at the dialogue or the plethora of badly acted scenes. It now makes sense that I have never seen any of the “teens” — placed in quotes because most of the actors are in their late 20s or early 30s — in anything else.

The show tackles too many issues

The longer the show went on, the more convoluted the plot became. I have nothing against incorporating numerous topics, but it quickly meant that everyone was grappling with something serious. Hannah, Jessica, Tyler, and even Justin were victims of sexual assault. Tony’s family was deported. Alex was handicapped and then came out as bisexual in season four. Clay struggled with mental illness. Everyone was depressed or homicidal or under the influence. High school is not that dramatic for everyone, nor should we pretend it’s worse than it is. Sexual harassment, drug abuse, bullying, and homosexuality are normal obstacles; does the fear of being shot, killed, or being arrested really have to be incorporated into the already stressful and chaotic high school existence? High school is shit enough without piling every possible scenario onto the shoulders of only a few kids.

The cassette tapes

They were an interesting substitute for a suicide note, but did they really need to be handed down to each student on Hannah’s “It’s Your Fault” list? I realize that adding a threat of the tapes leaking made for more dramatic TV, and the students inevitably followed through because they didn’t want the evidence to be turned into the police, but knowing everyone’s baggage didn’t help anyone. It was Clay, the self-righteous, hopeless romantic against absolutely everyone else. It wasn’t clever; it was sloppy.

The thirteen reasons why she killed herself

After each episode, the viewer is left to ponder whether what happened on X tape really warranted such an extreme reaction. Hannah was new and didn’t have many friends, but her friendship with Jessica, and the way it fizzled out, shouldn’t have been one of the reasons why she couldn’t cope. Another reason that didn’t seem to fit was her poem being stolen and anonymously submitted to Lost and Found. I’m sure Hannah felt vulnerable because she allowed Ryan into her thoughts and trusted him with her writing, but the fact that no one knew she was the poet behind the gloomy work should have allowed her to move past the infraction without too much thought.

Mr. Porter

Teachers cannot report an incident unless they have the requisite information, meaning that Mr. Porter was unable to give Hannah the help she hoped for because she wouldn’t name Bryce as her rapist. The backlash he receives from the students who have listened to the tapes is unwarranted; he shouldn’t have been attacked for doing everything he could based on the structures put in place for educators.

Hannah’s secret relationship with Zach

On his tape, she mentioned his decision to raid her “compliments” bag (gag me) was what landed him on the tapes. However, after a summer of fun and sex, he dumps her before the school year. Wouldn’t that be a much more significant reason to blame someone for your eventual suicide? This just proves that the writers had no idea what season two was going to look like before season one aired.

The Polaroids

Did there really need to be another trail of 13 items? Absolutely not. It would have been just as easy to find out that the jocks were drugging and raping other girls from a third party.

Tyler’s attempted school shooting

We’re all familiar with the broken and bullied school shooter, so this shouldn’t have come as a surprise. Tyler was weird before his sexual assault, but that’s what really pushed him over the edge. The fact that Clay and his friends stopped Tyler before he could kill anyone, and they covered it up, baffled me.

Ani

She was incredibly annoying, constantly butting into things that didn’t concern her. They could have showcased Bryce’s growth without her; it didn’t have to be a British chick who just so happened to live on the Walkers’ property.

Jessica Davis

She has always grated my nerves. I’ve never been into the strong woman mentality because it is often at the expense of men. If you want equality, sure, but to attack any guy merely because he has a dick is ridiculous. Needless to say, the “Hands Off” movement was lame and uninspired.

Season four was a mess

Clay battles his mental illness, which was only mentioned once throughout the first three seasons. He has many blackouts which directly affect the rest of the main cast. The writers even chose to ignore the fact he drove a convertible over a cliff. Lazy plot device? Definitely.

Everyone is suddenly gay. You go from two gay characters in the first season to more than a handful in the last. Has the series been stretched so thin that the only twist they can think of is to make everyone question their sexuality?

The drill

This was one of the most fucked up episodes merely because it is so stressful and unrealistic. The fact that the district chose to stage a shooting suspends belief. Then to fire rubber bullets down the hallway to instill fear and panic into the student body is incredible. Not only is it traumatic for the students, but it puts the officials staging the shooting at risk.

Justin dies of AIDS

This is both stupid and impossible in the time frame given. Justin was prostituting himself for drugs in season two which takes place the previous year. In no way would he have full-blown AIDS by then. Even if you assume he contracted it from his abusive stepfather, he mentioned that penetration was never a factor. So how exactly did he contract AIDS and when? The fact the writers chose to kill off the only character with depth just shows how weak the plot was from the beginning.

The sheriff ignores evidence

Bryce Walker is killed in season three and for months the case is left open. When the evidence is stacked against Alex Standall, one of the officer’s sons, the sheriff chooses to write it off for some inexplicable reason. In what universe would Alex be let off scot-free and his father not be fired for tampering with evidence?


Overall, 13 Reasons Why is a hot mess. It attempts to tackle so many issues that it inevitably falls short. If you enjoy teen drama, I’d say go ahead and watch it. If you’re looking for a program that realistically portrays suicide, teen pregnancy, sexual assault, or violence, I’d urge you to look elsewhere.

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