With reluctance, I am pulling After Wendy from the query trenches. The market is saturated with retellings, the word count isn't standard, and it doesn't fit neatly into genre expectations. While I would love to see this book in print sooner rather than later, I am shelving it because I don't feel it would do well as an independently published novel either. While there are romantic elements, I worry there isn't enough for those seeking a YA romance. Instead, it's a coming-of-age story with a romantic subplot and a fair amount of monsters and bleakness. Maybe once the retelling craze has died down, I'll give it another go.

Last week, I finally nailed down the main plot for The Secrets of Annwyn. This series, which has had its overarching conflict for going on two years, is officially ready to write. I'll be working on a map, my magic system rules and limitations, and character arcs before I begin chapter one next week. I hope to have a running word count to share next month.

After Wendy has proven difficult to sell. If you've been with me since Lipstick Covered Magnet, you won't be surprised by my inability to write to market. I'm hoping that a final revision, to add more monsters and tension, will bump up the word count closer to market standards. If I still can't find anyone interested, I might independently publish. Even if it means I make less money, I'd rather it be available to anyone who wishes to read it.

Favorite read: Boys in the Valley by Philip Fracassi

Favorite watch: The Queen's Gambit

March TBR (many rolled over from February):

Night's Edge by Liz Kerin (Tor Nightfire)

A House with Good Bones by T. Kingfisher (Tor)

Camp Damascus by Chuck Tingle (Tor Nightfire)

Some Desperate Glory by Emily Tesh (Tordotcom)

To Sleep in a Sea of Stars by Christopher Paolini (Tor)