To be frank, I'm not sure how to go about reviewing this novel.

There was potential here, but I had an issue with the front-and-center fetishes and the problematic, vicious children's author who was obviously just an exaggerated and hateful JK Rowling. From a writing standpoint, it was lazy.

I thoroughly enjoyed the first quarter of the book, but I wanted more body horror and less gross-out sexual scenes in the latter three quarters. I was fine with the political commentary, though I wish it was more original and not just a regurgitation of current internet bullshit.

*Thank you to Tor Nightfire for the ARC.*

Wild Spaces tackles the monsters we inherit from our families and what it means to face the horrors of our lineage head on. This novella is succinct and achingly beautiful, and I recommend it to anyone seeking a horror-infused novella that will suck you in and wrap its tentacles around your heart.

*Thank you to Tordotcom and NetGalley for the ARC.*

Night's Edge follows Mia, a 23-year-old woman who has been taking care of her Sara (vampire) mother for thirteen years. While the novel focuses on Mia's relationship with her mother and her budding romance with a rocker chick, at its center it is about toxic family and the potential freedom from such bonds.

I enjoyed Kerin's writing style and loved the 2010 sections. They were full of emotion, action, and intriguing exposition. Unfortunately, the Now chapters weren't as strong and the ending left much to be desired. It could have done with another thirty pages to tie up all the loose ends.

Overall, I liked the book and would read Kerin's future works, but it was difficult not to compare Night's Edge to Sunyi Dean's gorgeous debut, The Book Eaters.

Despite its flaws, I'd recommend Night's Edge to anyone looking for a contemporary vampire novel with a queer subplot.

*Thank you to Tor Nightfire and NetGalley for the ARC.*

*Thank you to Tor Nightfire and NetGalley for the ARC.*

Boys in the Valley is a coming-of-age novel that falls between Lord of the Flies and The Exorcist. Set in an isolated valley, a Catholic boy's orphanage is attacked by a vengeful spirit after one of the priests exorcises it from a wounded occultist. What follows is a gruesome tale of demonic proportions. Boys, who had once seen each other as brothers, are pitted against each other in a battle of good versus evil.

Fracassi's prose is excellent, and the characters were intriguing. The changing POVs added layers to the story, though Peter was by far the most prominent voice. The scenes were visceral, gory, and full of emotion. I'll definitely be keeping an eye out for Fracassi's future works.

I'd recommend this to readers looking for an adult Lord of the Flies, stories about demonic possessions, or isolated horror.

The Salt Grows Heavy is rich with descriptions, gore, and ingenuity. As a story about a murderous mermaid attempting to tear down the cult of three grotesque surgeons, this novella delivers on body manipulation, viscera, and terror. While the prose is luscious, it is also overwrought with high-brow vocabulary that often took me out of the story. While I like the usage of uncommon words, there comes a point where it's a detriment to the story. I also found that, when it came to world-building, there was next to none.

While I believe this would do better in a longer format, I enjoyed the gruesome visuals and romantic undertones. I'd recommend this to anyone looking for a quick and bloody read.

*Thank you to Tor Nightfire and NetGalley for the ARC.*

*Thank you to Tor Nightfire and NetGalley for the ARC.*

Tell Me I'm Worthless, at its core, is a story about trauma, identity, bigotry, and fascism. The novel follows two women and centers around transgender rights and the politics and ideologies that inevitably come along with it.

While I can only attempt to understand the difficulties in being a trans woman, I found the internal conflicts Alice faced compelling and wrought with emotion. Her raw, and often ugly, truth and unflinching self-awareness gave me insight that I never would have known if it weren't for this book.

My only complaint is that I didn't find the novel scary, at least not in a traditional sense. There is a tone which this novel hits about politics and identity that I can grapple with and understand as a real threat, but the House and its terrors felt alien to me, even if they were strange and grotesque and dripping with body horror. I ultimately finished the novel unsure what truly happened within the House's dilapidated walls.

While it wasn't what I expected, I enjoyed the read and would absolutely pick up another of Rumfitt's books down the line.

*Thank you to Tor Nightfire for the physical ARC.*

The Spite House is a contemporary horror that takes inspiration from novels like The Haunting at Hill House. It follows the Rosses, a family made up of a father and two daughters, running away from something in their past. It isn't revealed until halfway through what it is they're actually running from. When the father, Eric, lands a job as a groundskeeper for the paranormal-friendly Masson House, secrets are unearthed and many questions about grief, anger, and family debts/grievances are brought forth.

Apart from mildly ominous children spirits and people disappearing, there was nothing to spook me (or any fan of gothic horror). Plenty of truths were sprinkled throughout the novel, and POVs changed nearly every chapter, so any huge questions I had were revealed by the middle of the book. For a "gothic" horror, this was lacking in atmosphere.

Despite my slight disappointment, the book was well done, and I'll definitely be picking up Compton's future works.

This is a great paranormal suspense novel that I'd recommend to anyone who appreciates a good thriller with a supernatural slant.

Feed Them Silence is a sci-fi/horror novella that begs the question: What would happen if we linked a human brain with a wolf's?

Lee Mandelo's story is gripping and rife with political commentary and moral qualms about conservation and what we do to help animals nearing extinction. While the premise was intriguing, and I found the tech and science-based plot beats fascinating and well done, Sean's relationship with her wife took up almost a third of the book. Though Sean's "connection" with her wolf, Kate, highlights the disconnect she feels with everyone around her, the story would have benefitted from a trim where Sean's relationship issues were concerned. Apart from the relationship drama, I loved it.

If you've ever wondered what it would be like to inhabit another animal's mind, or find near-future technology fascinating, I recommend giving this 113-page novella a read.

*Thank you to Tor Nightfire and NetGalley for the ARC.*

Wow! Going into this book, I thought I was getting into something much different. But, in many ways, the surprises along the way were more fun than the blurb had me assume.

Sister, Maiden, Monster is a novel rife with bodily horror, existential terror, and tons of gore. It follows three women in the midst of a new pandemic which originates from a virus more infectious and deadly than COVID. What follows is zombie-like behavior, with blood drinking and brain eating galore. But it gets far weirder than that. Imagine if a zombie apocalypse had a baby with an Eldritch horror and you'd be pretty close to this novel's vibe.

I recommend it to anyone looking for an out-of-this-world horror with a heap of Lovecraftian terror and a dash of current political commentary. Tread carefully if you don't do well with blood, dismemberment, or flesh-eating monstrosities.

*Thank you to Tor Nightfire and NetGalley for the ARC.*

If you're looking for a novella that feels like Alien, look no further than The Scourge Between Stars. Set on a generational ship doomed from its departure, it will grip fans of space travel and sci-fi survival stories. The book is brimming with atmospheric horror, futuristic tech, and a droid (Watson) with a unique and lovable personality.

While I enjoyed the bulk of this story, and found Jacklyn a compelling protagonist, some plot beats went by too quickly and could have benefitted from a longer format. The terror would have felt more palpable as well, if I had gotten to know the characters better before the intruders showed up. Nevertheless, Ness Brown's prose is inviting and accessible, and I loved how she described the horrors without being too gruesome. I would definitely pick up her future works.